Timothy J. Dowd

Professor

Department Chair

Office: 231 Tarbutton Hall

Phone: 404-727-6259

Fax: 404-727-7532

Email: tdowd@emory.edu

Education

  • Ph.D. in Sociology, Princeton University, 1996
  • M.A. in Sociology, Arizona State University, 1988
  • B.A. in Sociology, Grand Canyon College, 1986

Biography

Chair, Sociology of Culture Section, American Sociological Association, 2015-2016

http://asaculturesection.org 

Editor-in-Chief, Poetics: Journal of Empirical Research on Culture, the Media and the Arts, 2010-2014 

http://www.elsevier.com/locate/poetic

Erasmus Chair of the Humanities; Erasmus University Rotterdam, 2007-2008

http://www.eur.nl/postacademisch/studievoorlichting/nieuws/detail/article/2825-the-ebb-and-flow-of-success-musicians-in-the-fields-of-popular-and-classical-musi/

Research

As an institutionalist, I am fascinated with the processes by which classifications and practices become widely accepted. Thus, I have studied such things as aesthetic classifications (e.g., the rise of the R&B market in the early to mid 1900s, the evolving orchestral canon from the early 1800s to the present) and business strategies (e.g., decentralized production of multinational record companies, post-antitrust merger strategies of railroad companies). This focus on the institutionalization process has led me to emphasize the importance of historical context, the implications of microlevel processes for mesolevel fields, and the utility of bringing multiple theories into dialogue. While much of my research addresses music, my concerns are much broader than that. As editor of Poetics, I enjoyed featuring cultural sociology that runs the gamut in terms of methodologies, theories and traditions. As a professor, I likewise emphasize to students the diversity that marks the study of culture.

Research Topics: culture, categories and classification, inequality, media, music, work and industry

Publications

Here are some of my key publications:

Timothy J. Dowd, Trent Ryan and Yun Tai. 2016. "Talk of Heritage: Critical Benchmarks & DIY Preservationism in Progressive Rock." Popular Music and Society 39: 97-125.

Timothy J. Dowd and Diogo L. Pinheiro. 2016. "The Ties among the Notes: The Social Capital of Jazz Musicians in Three Metropolitan Areas." Work & Occupations 40: 341-464.

Timothy J. Dowd. 2011. “Production and Producers of Life Styles: Fields of Classical and Popular Music in the United States.” Kölner Zeitschrift für Soziologie und Sozialpsychologie Sonderheft 51: 113- 138. 

William G. Roy and Timothy J. Dowd. 2010. “What is Sociological about Music?” Annual Review of Sociology 36: 183-203.

Cathryn Johnson, Timothy J. Dowd and Cecilia Ridgeway. 2006. "Legitimacy as a Social Process." Annual Review of Sociology 32: 53-78.

Timothy J. Dowd. 2004. “Concentration and Diversity Revisited: Production Logics and the US Mainstream Recording Market, 1940-1990.” Social Forces 82: 1411-1455.

Timothy J. Dowd. 2003. “Structural Power and the Construction of Markets: The Case of Rhythm and Blues.” Comparative Social Research 21: 147-202.

Frank Dobbin and Timothy J. Dowd. 2000. "The Market That Antitrust Built: Public Policy, Private Coercion, and Railroad Acquisitions, 1825-1922." American Sociological Review 65: 631-657.

Here are some places to access my publications:

http://emory.academia.edu/TimothyDowd

http://www.researchgate.net/profile/Timothy_Dowd

Teaching