Timothy J. Dowd
Office: 231 Tarbutton Hall
- Ph.D. in Sociology, Princeton University, 1996
- M.A. in Sociology, Arizona State University, 1988
- B.A. in Sociology, Grand Canyon College, 1986
Chair, Sociology of Culture Section, American Sociological Association, 2015-2016
Editor-in-Chief, Poetics: Journal of Empirical Research on Culture, the Media and the Arts, 2010-2014
Fulbright Speicialist; University of Amsterdam, 2013
Erasmus Chair of the Humanities; Erasmus University Rotterdam, 2007-2008
As an institutionalist, I am fascinated with the processes by which classifications and practices become widely accepted. Thus, I have studied such things as aesthetic classifications (e.g., the rise of the R&B market in the early to mid 1900s, the evolving orchestral canon from the early 1800s to the present); business strategies (e.g., decentralized production of multinational record companies, post-antitrust merger strategies of railroad companies); and how careers in creative industries unfold amidst these broader classifications and strategies (e.g., career trajectories in the arts). This focus on the institutionalization process has led me to emphasize the importance of historical context, the implications of microlevel processes for mesolevel fields, and the utility of bringing multiple theories into dialogue. While much of my research addresses music as well as the careers in creative industries, my concerns are much broader than that. As editor of Poetics, I enjoyed featuring cultural sociology that runs the gamut in terms of methodologies, theories and traditions. As a professor, I likewise emphasize to students the diversity that marks the study of culture.
Research Topics: culture, categories and classification, inequality, media, music, work and industry
Here are some of my key publications:
Timothy J. Dowd, Trent Ryan and Yun Tai. 2016. "Talk of Heritage: Critical Benchmarks & DIY Preservationism in Progressive Rock." Popular Music and Society 39: 97-125.
Timothy J. Dowd and Diogo L. Pinheiro. 2016. "The Ties Among the Notes: The Social Capital of Jazz Musicians in Three Metropolitan Areas." Work & Occupations 40: 341-464.
Timothy J. Dowd. 2011. “Production and Producers of Life Styles: Fields of Classical and Popular Music in the United States.” Kölner Zeitschrift für Soziologie und Sozialpsychologie Sonderheft 51: 113- 138.
William G. Roy and Timothy J. Dowd. 2010. “What is Sociological about Music?” Annual Review of Sociology 36: 183-203.
Cathryn Johnson, Timothy J. Dowd and Cecilia Ridgeway. 2006. "Legitimacy as a Social Process." Annual Review of Sociology 32: 53-78.
Timothy J. Dowd. 2004. “Concentration and Diversity Revisited: Production Logics and the US Mainstream Recording Market, 1940-1990.” Social Forces 82: 1411-1455.
Timothy J. Dowd. 2003. “Structural Power and the Construction of Markets: The Case of Rhythm and Blues.” Comparative Social Research 21: 147-202.
Frank Dobbin and Timothy J. Dowd. 2000. "The Market That Antitrust Built: Public Policy, Private Coercion, and Railroad Acquisitions, 1825-1922." American Sociological Review 65: 631-657.
Here are some places to access my publications:
- SOC 221: Culture and Society
- SOC 221-OLA: Culture and Society (Online Version)
- SOC 343: Mass Media and Social Influences
- SOC 443S: Sociology of Music
- SOC 514: Bureaucratic Organization
- SOC 560: Sociology of Culture
- SOC 561: Sociology of the Arts
- SOC 562: Sociology of Mass Media
- SOC 563: Culture and Social Psychology Empirical Research Workshop
- SOC 742: Recent Theoretical Orientations